Item Type: Journal Articles

WORSHIP AND PREACHING

Gracia Grindal "Pitfalls in Hymnwriting" Winter In The Hymn. 1984 : 82-85
Gracia Grindal "Reflections on God the Father" Winter In Word & World. vol. 4, 1984 : 78-86
Gracia Grindal "Luther and the Arts: A Study in Convention" In Word & World. vol. 3, no. 4, 1983 : 373-381

THEOLOGY

Gracia Grindal "God’s Secretaries: The Making of the King James Bible" In Word & World. vol. 25, no. 2, 2005 : 211-214
Gracia Grindal "The Next Christendom: The Coming of Global Christianity" In Word & World. vol. 23, no. 3, 2003 : 344-345
Gracia Grindal "Luther’s Theology as a Resource for Feminists" Winter In Dialog. no. 24, 1985 : 32-36
Gracia Grindal "Faith and Experience" 1 In Word & World. vol. 3, 1981 : 218-221
Arnfrídur Gudmundsdottir "Abusive or Abused? Theology of the Cross from a Feminist Critical Perspective" 15 In Scandinavian Critique of Anglo-American Feminist Theology. Journal of the European Society of Women in Theological Research. eds. Hanna Stenström, Elina Vuola, Sabine Bieberstein, and Ursula Rapp. 2007

This article highlights the key issues in the ongoing debate about the meaning of the cross of Jesus Christ within feminist theological literature in the United States. MA: Peeters – Leuven – Dudley

"Female Christ-figures in Films: A Feminist Critical Analysis of ‘Breaking the Waves’ and ‘Dead Man Walking’" In Studia Theologica. Scandinavian Journal of Theology. vol. 56, no. 1, 2002 : 27-43

Bess in Breaking the Waves (1996) and Sister Helen in Dead Man Walking (1995) have often been interpreted as Christ-figures. By taking a closer look at these two women‘s stories I question on both feminist and theological grounds what constitutes a true female Christ-figure in films.

WORSHIP AND PREACHING

Shauna K. Hannan "Introduction to the Series on Preaching Social Issues" In Journal of Lutheran Ethics. vol. 10, 2010

Provides reasons for and begins to give guidance in preaching on social issues in ways that are theologically sound, biblically faithful, academically critical, and pastorally sensitive.